Wednesday, February 18, 2015

Biography of
William Somerset Maugham

William Somerset Maugham (1874-1965), English playwright and author wrote Of Human Bondage (1915)

He did not know how wide a country, arid and precipitous, must be crossed before the traveller through life comes to an acceptance of reality.

It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched, for they are full of the truthless ideals which have been instilled into them, and each time they come in contact with the real they are bruised and wounded.

Initially titled "The Artistic Temperament of Stephen Carey," Maugham revised an earlier autobiographical novel and it was published to subdued response until Sister Carrie (1900) author Theodore Dreiser (1871-1945) wrote a glowing review of it, calling Maugham a "great artist."

Philip Carey sets out on an unconventional life, struggling in his search for spiritual and artistic freedom.

When he becomes immersed in his obsession for Mildred, sacrificing any shred of self-respect he had, it takes much destruction and the ultimate insult to end their sordid affair.

The novel ends with a bitter hint of irony notable in many of Maugham's short stories and novels.

Like his protagonist, Maugham himself would live for many years in search of his calling and a place where he belonged.

He courted much controversy through his works including accusations of a thinly-veiled satirical attack on Thomas Hardy in Cakes and Ale (1930).

Although he was homosexual, he married once and had numerous affairs with women, many of his female characters mirroring real life lovers.

Maugham traveled far and wide during his life to Europe, North America, the Far East, the South Seas and beyond; he also explored many professions including doctor, spy, and playwright, but it is for his short stories and novels that he is best remembered today.

There are many biographical details in his stories and characters; he avoids verbose sentimentality, favoring spare yet vivid, often cynical prose.

Maugham saw numerous television and screen adaptations of his works and enjoyed great financial success.

While his life was less-than idyllic at times and he raised the ire of many, he made notable and generous contributions to the people and institutions who supported him in his life, including building a new library for King's College, Canterbury, England.

William Somerset Maugham was born on 25 December 1874 at the British Embassy in Paris, France, the fourth son (of seven children total, but only four that survived infancy) born to socialite and writer Edith Mary née Snell (1840-1882) and Robert Ormond Maugham (1823-1884), a lawyer for the British Embassy.

Living in the suburbs of Paris, Williams' older brothers Charles, Frederick, and Henry already at boarding school in England, he enjoyed the attentions of his affectionate mother and nurse.

He spoke French and their home was often a vibrant salon with many literary and artistic people of the day including Guy de Maupassant and Gustave Doré.

But by the age of ten he was orphaned with an income of £150 a year after the death of his mother from tuberculosis and his father of cancer.

He was sent to live with his Aunt Sophia née von Scheidlin and Uncle Henry MacDonald Maugham (1828-1897), the Vicar of All Saints, Whitstable, in Kent, England.

William suffered from a stutter and his lack of proficiency in English and loss of his parents could not have helped matters when he was taunted and bullied by classmates.

But his aunt and uncle did the best they could in raising such a young boy, themselves never having had children.

Maugham attended King's School in Canterbury before traveling to Germany at the age of sixteen to study literature and philosophy at Heidelberg University.

It was here that he had his first homosexual relationship with John Ellingham Brooks (1863-1929).

Back in England, and after a short stint as accountant, he studied medicine at St Thomas's Hospital in London.

Never having difficulty with his studies, he qualified as Member of the Royal College of Surgeons and licentiate of the Royal College of Physicians, London in 1897 although he never practiced.

He was on to his next profession; that same year his first novel Liza of Lambeth was published.

As a medical student Maugham had seen first-hand the poor and suffering of the shabby working classes in London's Lambeth slum area while apprenticing as midwife.

The experience would serve him well in writing vivid physical descriptions of his fictional characters, and in realistic portrayals of the seedier aspects of life and its consequences on the human psyche.

Liza Kemp, like Emile Zola's Nana, Stephen Crane's Maggie: A Girl of the Streets and George Gissings' New Grub Street, belongs to that genre of fiction examining the less-than pristine Victorian slum-life of adultery, sickness, and desperate searches for meaningful love.

Although Liza achieved mild success at the time, especially because of the controversy its subject matter stirred, Maugham decided to turn full-time to writing.

He was off for a year to Spain, spending most of his time in Seville, but by his own words "I amused myself hugely and wrote a bad novel."--from "A Fragment of Autobiography," The Magician (1908).

The Land of The Blessed Virgin; Sketches and Impressions in Andalusia was published in 1905.

Other works published around this time include The Hero (1901), Mrs. Craddock (1902), The Merry-Go-Round (1904), The Explorer (1907), Moon and Sixpence (1919), The Trembling of a Leaf (1921), and The Painted Veil (1925).

Back in London, Maugham continued to write, immersing himself in the theater and literary world, working on novels and plays, some inspired by the style of Oscar Wilde whose sensational trial and ensuing criminal charges surrounding his homosexuality surely left an impact on Maugham, who never publicly wrote of his own orientation.

His first drama, A Man of Honor (1903) earned him notice with London's intelligentsia; he was soon attending parties and salons, but still the bohemian, not being able to afford even cab fare with his earnings, his restlessness and awareness of his current limitations grew and he was again looking beyond the present to future prospects for himself.

To escape the rut he moved to Paris for a time and from his Left Bank rooms became acquainted with the art world.

But still it was not enough, and returning to London Maugham found renewed interest in his plays.

Suddenly he was earning hundreds of pounds a week.

Among his almost two-dozens plays are Lady Frederick (1907), Jack Straw (1912), The Unknown (1920), The Circle (1921), Our Betters (1923), The Constant Wife (1927) and Sheppey (1933).

When World War I broke out Maugham volunteered with the American Volunteer Motor Ambulance Corps.

He met American Gerald Haxton (1892-1944) while in France, and the two fell in love; Haxton was devoted companion and secretary to Maugham until his death.

While in America Maugham met the wife of Sir Henry Wellcome, Gwendolyn Maude Syrie Barnardo (1879-1955) with whom he had a daughter Elizabeth Mary Maugham "Liza" (1915-1981).

They married in 1917 despite his relationship with Haxton, and often spent time apart in various pursuits, Syrie being a noted interior decorator and Maugham traveling and writing.

They were divorced in 1929.

During World War II Maugham worked for a time in Switzerland and Russia as an agent of the British Intelligence Service which inspired Ashenden: Or, the British Agent (1928).

After having spent so much time there, Maugham decided to move permanently to the French Riviera in 1928.

He bought the Villa Mauresque at Cap Ferrat and continued to entertain guests and write.

In his later years he wrote numerous essays and short stories, further publications including Cakes and Ale (1930), The Narrow Corner (1932), Don Fernando (1935), The Summing Up (1938), Up At The Villa (1941), The Razor's Edge (1944), Then And Now (1946), Creatures of Circumstance (1947), Catalina (1948), and The Art of Fiction: An Introduction to Ten Novels and Their Authors (1955).

After the death of Haxton, Alan Searle (1905-1985) became Maugham's lover and secretary; he assisted him in writing Looking Back (1962) the authorship of which came into dispute by many.

In 1947 Maugham instituted the Somerset Maugham Award for the encouragement and support of British writers under the age of thirty-five.

He himself received many honors during his lifetime including the Queen's Companion of Honor (1954); Fellow of the Library of Congress, Washington, DC, U.S.A.; an Honorary Doctorate from the University of Toulouse, France; and Fellow of the Royal Society of Literature.

William Somerset Maugham died in Nice, France on December 16, 1965.

"Life isn't long enough for love and art."--The Moon and Sixpence

Biography written by C. D. Merriman for Jalic Inc. Copyright Jalic Inc. 2008. All Rights Reserved.

“What mean and cruel things men can do for the love of God” (W. Somerset Maugham)

“What mean and cruel things men can do for the love of God” (W. Somerset Maugham) Ironically, throughout history, many things that were done in the name of God would be abhorrent to Him; for example, in the bible it is said 'thou shalt not kill' but more people have been killed in the name of God than for any other reason.

Absurdly, a great number of people and societies have committed heinous crimes like torturing and killing by using in justification the Holy name of God, who actually must be related to love, caring, mercy, comprehension, tolerance and forgiveness.

Egmatically, fanatics and fundamentalists have repeatedly been sowing panic, terror, pain and death in the world in the n...

Fiction

    Liza of Lambeth
    Moon and Sixpence
    Mrs. Craddock
    Of Human Bondage
    Orientations
    The Bishop's Apron
    The Explorer
    The Hero
    The Land of Promise
    The Magician
    The Making of a Saint
    The Merry-go-round
    The Trembling of a Leaf

Non-Fiction

    The Land of The Blessed Virgin

Plays

    A Man of Honor
    Caesar's Wife
    East of Suez
    Lady Frederick
    The Circle
    The Explorer

In the 1600s, Balthasar Gracian, a jesuit priest wrote 300 aphorisms* on living life called "The Art of Worldly Wisdom."

*Aphorism definition
Aphorism is a statement of truth or opinion expressed in a concise and witty manner. The term is often applied to philosophical, moral and literary principles.

To qualify as an aphorism, it is necessary for a statement to contain a truth revealed in a terse manner. Aphoristic statements are quoted in writings as well as in our daily speech.

The fact that they contain a truth gives them a universal acceptance.

Scores of philosophers, politicians, writers, artists and sportsman and other individuals are remembered for their famous aphoristic statements.

Aphorisms often come with a pinch of humor, which makes them more appealing to the masses.

Proverbs, maxims, adages and cliches are different forms of aphoristic statements that gain prevalence from generation to generation and frequently appear in our day-to-day speech.

Common Aphorism Examples

    Youth is a blunder; Manhood a struggle; Old age regret. [Benjamin Disraeli]
    Pride hath fall. [Proverb]
    The man who removes a mountain begins by carrying away small stones. [William Faulkner]
    Life’s Tragedy is that we get old too soon and wise too late. [Benjamin Franklin]
    Yesterday is but today’s memory, and tomorrow is today’s dream. [Khalil Gibran]
    The simplest questions are the hardest to answer. [Northrop Frye]
    A proverb is no proverb to you till life has illustrated it.  [John Keats]
    Words are, of course, the most powerful drug used by mankind. [Rudyard Kipling]

William Somerset Maugham (1874-1965), English playwright and author wrote Of Human Bondage (1915)

He did not know how wide a country, arid and precipitous, must be crossed before the traveller through life comes to an acceptance of reality.

It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched, for they are full of the truthless ideals which have been instilled into them, and each time they come in contact with the real they are bruised and wounded.

Initially titled "The Artistic Temperament of Stephen Carey," Maugham revised an earlier autobiographical novel and it was published to subdued response until Sister Carrie (1900) author Theodore Dreiser (1871-1945) wrote a glowing review of it, calling Maugham a "great artist."

Philip Carey sets out on an unconventional life, struggling in his search for spiritual and artistic freedom.

When he becomes immersed in his obsession for Mildred, sacrificing any shred of self-respect he had, it takes much destruction and the ultimate insult to end their sordid affair.

The novel ends with a bitter hint of irony notable in many of Maugham's short stories and novels.

Like his protagonist, Maugham himself would live for many years in search of his calling and a place where he belonged.

He courted much controversy through his works including accusations of a thinly-veiled satirical attack on Thomas Hardy in Cakes and Ale (1930).

Although he was homosexual, he married once and had numerous affairs with women, many of his female characters mirroring real life lovers.

Maugham traveled far and wide during his life to Europe, North America, the Far East, the South Seas and beyond; he also explored many professions including doctor, spy, and playwright, but it is for his short stories and novels that he is best remembered today.

There are many biographical details in his stories and characters; he avoids verbose sentimentality, favoring spare yet vivid, often cynical prose.

Maugham saw numerous television and screen adaptations of his works and enjoyed great financial success.

While his life was less-than idyllic at times and he raised the ire of many, he made notable and generous contributions to the people and institutions who supported him in his life, including building a new library for King's College, Canterbury, England.

William Somerset Maugham was born on 25 December 1874 at the British Embassy in Paris, France, the fourth son (of seven children total, but only four that survived infancy) born to socialite and writer Edith Mary née Snell (1840-1882) and Robert Ormond Maugham (1823-1884), a lawyer for the British Embassy.

Living in the suburbs of Paris, Williams' older brothers Charles, Frederick, and Henry already at boarding school in England, he enjoyed the attentions of his affectionate mother and nurse.

He spoke French and their home was often a vibrant salon with many literary and artistic people of the day including Guy de Maupassant and Gustave Doré.

But by the age of ten he was orphaned with an income of £150 a year after the death of his mother from tuberculosis and his father of cancer.

He was sent to live with his Aunt Sophia née von Scheidlin and Uncle Henry MacDonald Maugham (1828-1897), the Vicar of All Saints, Whitstable, in Kent, England.

William suffered from a stutter and his lack of proficiency in English and loss of his parents could not have helped matters when he was taunted and bullied by classmates.

But his aunt and uncle did the best they could in raising such a young boy, themselves never having had children.

Maugham attended King's School in Canterbury before traveling to Germany at the age of sixteen to study literature and philosophy at Heidelberg University.

It was here that he had his first homosexual relationship with John Ellingham Brooks (1863-1929).

Back in England, and after a short stint as accountant, he studied medicine at St Thomas's Hospital in London.

Never having difficulty with his studies, he qualified as Member of the Royal College of Surgeons and licentiate of the Royal College of Physicians, London in 1897 although he never practiced.

He was on to his next profession; that same year his first novel Liza of Lambeth was published.

As a medical student Maugham had seen first-hand the poor and suffering of the shabby working classes in London's Lambeth slum area while apprenticing as midwife.

The experience would serve him well in writing vivid physical descriptions of his fictional characters, and in realistic portrayals of the seedier aspects of life and its consequences on the human psyche.

Liza Kemp, like Emile Zola's Nana, Stephen Crane's Maggie: A Girl of the Streets and George Gissings' New Grub Street, belongs to that genre of fiction examining the less-than pristine Victorian slum-life of adultery, sickness, and desperate searches for meaningful love.

Although Liza achieved mild success at the time, especially because of the controversy its subject matter stirred, Maugham decided to turn full-time to writing.

He was off for a year to Spain, spending most of his time in Seville, but by his own words "I amused myself hugely and wrote a bad novel."--from "A Fragment of Autobiography," The Magician (1908).

The Land of The Blessed Virgin; Sketches and Impressions in Andalusia was published in 1905.

Other works published around this time include The Hero (1901), Mrs. Craddock (1902), The Merry-Go-Round (1904), The Explorer (1907), Moon and Sixpence (1919), The Trembling of a Leaf (1921), and The Painted Veil (1925).

Back in London, Maugham continued to write, immersing himself in the theater and literary world, working on novels and plays, some inspired by the style of Oscar Wilde whose sensational trial and ensuing criminal charges surrounding his homosexuality surely left an impact on Maugham, who never publicly wrote of his own orientation.

His first drama, A Man of Honor (1903) earned him notice with London's intelligentsia; he was soon attending parties and salons, but still the bohemian, not being able to afford even cab fare with his earnings, his restlessness and awareness of his current limitations grew and he was again looking beyond the present to future prospects for himself.

To escape the rut he moved to Paris for a time and from his Left Bank rooms became acquainted with the art world.

But still it was not enough, and returning to London Maugham found renewed interest in his plays.

Suddenly he was earning hundreds of pounds a week.

Among his almost two-dozens plays are Lady Frederick (1907), Jack Straw (1912), The Unknown (1920), The Circle (1921), Our Betters (1923), The Constant Wife (1927) and Sheppey (1933).

When World War I broke out Maugham volunteered with the American Volunteer Motor Ambulance Corps.

He met American Gerald Haxton (1892-1944) while in France, and the two fell in love; Haxton was devoted companion and secretary to Maugham until his death.

While in America Maugham met the wife of Sir Henry Wellcome, Gwendolyn Maude Syrie Barnardo (1879-1955) with whom he had a daughter Elizabeth Mary Maugham "Liza" (1915-1981).

They married in 1917 despite his relationship with Haxton, and often spent time apart in various pursuits, Syrie being a noted interior decorator and Maugham traveling and writing.

They were divorced in 1929.

During World War II Maugham worked for a time in Switzerland and Russia as an agent of the British Intelligence Service which inspired Ashenden: Or, the British Agent (1928).

After having spent so much time there, Maugham decided to move permanently to the French Riviera in 1928.

He bought the Villa Mauresque at Cap Ferrat and continued to entertain guests and write.

In his later years he wrote numerous essays and short stories, further publications including Cakes and Ale (1930), The Narrow Corner (1932), Don Fernando (1935), The Summing Up (1938), Up At The Villa (1941), The Razor's Edge (1944), Then And Now (1946), Creatures of Circumstance (1947), Catalina (1948), and The Art of Fiction: An Introduction to Ten Novels and Their Authors (1955).

After the death of Haxton, Alan Searle (1905-1985) became Maugham's lover and secretary; he assisted him in writing Looking Back (1962) the authorship of which came into dispute by many.

In 1947 Maugham instituted the Somerset Maugham Award for the encouragement and support of British writers under the age of thirty-five.

He himself received many honors during his lifetime including the Queen's Companion of Honor (1954); Fellow of the Library of Congress, Washington, DC, U.S.A.; an Honorary Doctorate from the University of Toulouse, France; and Fellow of the Royal Society of Literature.

William Somerset Maugham died in Nice, France on December 16, 1965.

"Life isn't long enough for love and art."--The Moon and Sixpence

Biography written by C. D. Merriman for Jalic Inc. Copyright Jalic Inc. 2008. All Rights Reserved.

“What mean and cruel things men can do for the love of God” (W. Somerset Maugham)

“What mean and cruel things men can do for the love of God” (W. Somerset Maugham) Ironically, throughout history, many things that were done in the name of God would be abhorrent to Him; for example, in the bible it is said 'thou shalt not kill' but more people have been killed in the name of God than for any other reason.

Absurdly, a great number of people and societies have committed heinous crimes like torturing and killing by using in justification the Holy name of God, who actually must be related to love, caring, mercy, comprehension, tolerance and forgiveness.

Egmatically, fanatics and fundamentalists have repeatedly been sowing panic, terror, pain and death in the world in the n...

Fiction

    Liza of Lambeth
    Moon and Sixpence
    Mrs. Craddock
    Of Human Bondage
    Orientations
    The Bishop's Apron
    The Explorer
    The Hero
    The Land of Promise
    The Magician
    The Making of a Saint
    The Merry-go-round
    The Trembling of a Leaf

Non-Fiction

    The Land of The Blessed Virgin

Plays

    A Man of Honor
    Caesar's Wife
    East of Suez
    Lady Frederick
    The Circle
    The Explorer


In the 1600s, Balthasar Gracian, a jesuit priest wrote 300 aphorisms* on living life called "The Art of Worldly Wisdom."

*Aphorism definition

Aphorism is a statement of truth or opinion expressed in a concise and witty manner. The term is often applied to philosophical, moral and literary principles.

To qualify as an aphorism, it is necessary for a statement to contain a truth revealed in a terse manner. Aphoristic statements are quoted in writings as well as in our daily speech.

The fact that they contain a truth gives them a universal acceptance.

Scores of philosophers, politicians, writers, artists and sportsman and other individuals are remembered for their famous aphoristic statements.

Aphorisms often come with a pinch of humor, which makes them more appealing to the masses.

Proverbs, maxims, adages and cliches are different forms of aphoristic statements that gain prevalence from generation to generation and frequently appear in our day-to-day speech.

Common Aphorism Examples
  • Youth is a blunder; Manhood a struggle; Old age regret. [Benjamin Disraeli]
  • Pride hath fall. [Proverb]
  • The man who removes a mountain begins by carrying away small stones. [William Faulkner]
  • Life’s Tragedy is that we get old too soon and wise too late. [Benjamin Franklin]
  • Yesterday is but today’s memory, and tomorrow is today’s dream. [Khalil Gibran]
  • The simplest questions are the hardest to answer. [Northrop Frye]
  • A proverb is no proverb to you till life has illustrated it.  [John Keats]
  • Words are, of course, the most powerful drug used by mankind. [Rudyard Kipling]

Robert Reich: The Wealthy Have Pulled America Back to the 19th Century

Wall Street and enormously rich individuals have gained political power to organize the market in ways that leave most Americans behind.

By Robert Reich / AlterNet

February 10, 2015--My recent column about the growth of on-demand jobs like Uber making life less predictable and secure for workers unleashed a small barrage of criticism from some who contend that workers get what they’re worth in the market.

A Forbes Magazine contributor, for example, writes that jobs exist only “when both employer and employee are happy with the deal being made.”

So if the new jobs are low-paying and irregular, too bad.

Much the same argument was voiced in the late nineteenth century over alleged “freedom of contract.”

Any deal between employees and workers was as-
sumed to be fine if both sides voluntarily agreed to it.

It was an era when many workers were “happy” to toil twelve-hour days in sweat shops for lack of any better alternative.

It was also a time of great wealth for a few and squalor for many.

And of corruption, as the lackeys of robber barons deposited sacks of cash on the desks of pliant legislators.

Finally, after decades of labor strife and political tumult, the twentieth century brought an understanding that capitalism requires minimum standards of decency and fairness--workplace safety, a minimum wage, maximum hours (and time-and-a-half for overtime), and a ban on child labor.

We also learned that capitalism needs a fair balance of power between big corporations and workers.

We achieved that through antitrust laws that reduced the capacity of giant corporations to impose their will, and labor laws that allowed workers to organize and bargain collectively.

By the 1950s, when 35 percent of private-sector workers belonged to a labor union, they were able to negotiate higher wages and better working conditions than employers would otherwise have been “happy” to provide.

But now we seem to be heading back to nineteenth century.

Corporations are shifting full-time work onto temps, free-lancers, and contract workers who fall outside the labor protections established decades ago.

The nation’s biggest corporations and Wall Street banks are larger and more potent than ever.

And labor union membership has shrunk to fewer than 7 percent of private-sector workers.

So it’s not surprising we’re once again hearing that workers are worth no more than what they can get in the market.

But as we should have learned a century ago, markets don’t exist in nature.

They’re created by human beings.

The real question is how they’re organized and for whose benefit.

In the late nineteenth century they were organized for the benefit of a few at the top.

But by the middle of the twentieth century they were organized for the vast majority.

During the thirty years after the end of World War II, as the economy doubled in size, so did the wages of most Americans—along with improved hours and working conditions.

Yet since around 1980, even though the economy has doubled once again (the Great Recession notwithstanding), the wages most Americans have stagnated.

And their benefits and working conditions have deteriorated.

This isn’t because most Americans are worth less.

In fact, worker productivity is higher than ever.

It’s because big corporations, Wall Street, and some enormously rich individuals have gained political power to organize the market in ways that have enhanced their wealth while leaving most Americans behind.

That includes trade agreements protecting the intellectual property of large corporations and Wall Street’s financial assets, but not American jobs and wages.

Bailouts of big Wall Street banks and their executives and shareholders when they can’t pay what they owe, but not of homeowners who can’t meet their mortgage payments.

Bankruptcy protection for big corporations, allowing them to shed their debts, including labor contracts.

But no bankruptcy protection for college graduates over-burdened with student debts.

Antitrust leniency toward a vast swathe of American industry--including Big Cable (Comcast, AT&T, Time-Warner), Big Tech (Amazon, Google), Big Pharma, the largest Wall Street banks, and giant retailers (Walmart).

But less tolerance toward labor unions—as workers trying to form unions are fired with impunity, and more states adopt so-called “right-to-work” laws that undermine unions. 

We seem to be heading full speed back to the late nineteenth century.

So what will be the galvanizing force for change this time?

******
Robert B. Reich has served in three national administrations, most recently as secretary of labor under President Bill Clinton.

He also served on President Obama's transition advisory board. His latest book is "Aftershock: The Next Economy and America's Future."

His homepage is www.robertreich.org.